Friday, March 12th, 2010

The American Repertory Theater’s spring festival, America: Boom, Bust and Baseball, presented it’s second offering at the Loeb Drama Center this week.  Falling under the label “Bust”, Clifford Odet’s Paradise Lost is a pithy tale of loss in the wake of the Great Depression which has some startling, and at times disturbing similarities to our [...]

After Brian Tuttle and 11:11 Theatre Company’s holiday season offering, The Three (Un)Wise Men, I was apprehensive about my trip to The Factory Theatre for Tuttle’s newest tale, Foreverendia.  The Three (Un)Wise Men wasn’t a BAD show, in fact, I gave it a pretty good overall review, but it wasn’t a pithy thing, and it [...]

The Zeitgeist Stage Company has yet again transformed the intimate BCA Black Box into a unique playing space for their winter production, Alan Ayckbourn’s Private Fears in Public Places.  Part apartment, part office, part hotel bar, the thrust-style space is fully explored by the actors, hiding and highlighting different interactions for different areas in the [...]

As I sit down to write this review for the Orfeo Group’s production of The Island of Slaves, I am presented with a particular conundrum.  In reading the directors note I was thus informed, “[Y]ou’ll probably enjoy yourself more if you don’t know what’s coming.”  At first glance, I took [...]

I like to believe that I was well suited to review The Company Theater’s production of The 25th Annual Putnam County Spelling Bee.  I have a particular love for words.  One might describe me as sesquipedalian.  One of my favorite words is even a song title from the show (Weltanschauung).  Some may say I go [...]

The Boston Opera Collaborative was at its most spectacular this past weekend with their production of A Little Night Music, Stephen Sondheim’s charming and funny tale of love across generations.  The show is a favorite of opera companies for its musical intricacies and a favorite of audience members for its clever dialog, witty puns and [...]

It’s a difficult thing for a reviewer when they are tasked to write a review of something that is extremely dear to them.  [title of show] captured my heart back in 2006 when I stumbled upon its brilliance at the Vineyard Theatre.  An inventive, unique little piece that taps into the heart of any person [...]

The civil rights movement and the about turn in the political posture that resulted have always been inspiring to me.  I’m amazed when I think about people who have been repressed for centuries and how they work tirelessly to evoke non-violent revolution.  Company One’s production of The Good Negro, by Tracey Scott Wilson, is a [...]